Tag Archives: Cheap Trick

Flashlite #644

Nicole Atkins

Cover version episode today! We will review some of the most interesting cover versions that came out recently with special focus on Will Coutrney, Joe Emery and Daniel Wilcox doing a Byrds song, Mo Troper, Asteroid B-612 and Cheap Trick all doing a John Lennon song, Nicole Atkins doing a Fleetwoods tune, Mark Lanegan in Alice in Chains tune, Lorenzo Wolf doing a tribute to Judee Sill and Switchblade Symphony going for the Rolling Stones. Ton of other interesting versions too! Be sure to check it out.

Mogollar – Hard Work;
Will Courtney, Joe Emery, Daniel Wilcox – Here Without You;
Mo Troper – Rain;
CTMF – Fire;
Mike Edison – Go Down Moses;
Les Grys Grys – Milkcow Blues;
Asteroid B-612 – Gimme Some Truth;
Cheap Trick – Gimme Some Truth;
Badfinger, Albert Lee – Sweet Tuesday Morning;
Bill Janovitz – Taillights Fade;
Nicole Atkins feat. Mark Lanegan – November Rain;
Mark Lanegan & Maggie Bjorklund – Nutshell;
Nicole Atkins & Marissa Nadler – Mr. Blue;
Altin Gun – Esmerim Güzelim;
The Imperturbable Teutonic Griffin – Talk Talk;
Thurston Moore – Buckets Of Rain;
Lorenzo Wolff – jesus was a cross maker;
Switchblade Symphony – Wild Horses;
Fernando Perdomo – Tiny Demons.

Flashlite #438

Shannon McNallyToday we start with the new project for the Black Crowes guitarist Rich Robinson called The Magpie Salute. Then we check out the new solo single from the hard working New Zealander Dion Lunadon. Elder come from Boston and The Black Watch is a one man band John Andrew Frederick, novelist painter and a professor of English from Richmond VA. Ian Svenonius, from The Make-Up has a new band called Chain And The Gang. Cheap Trick have a new record and so does Shannon McNally. The latter one is produced by Rodney Crowell. We also introduce The John from Macedonia and a new band called Arcadea crated by the Mastodon drummer Brann Dailor.

Daniel Romano – I Tried To Hold The World (In My Mouth);
The Magpie Salute – Omission;
Dion Lunadon – 1976;
OBN IIIs – Let The Music;
Century Palm – To the Ether;
Elder – Staving Off the Truth;
The Black Watch – Oscillating Redux;
Cairo Gang – Real Enough to Believe;
Evan Dando – The Same Thing You Thought Hard About Is the Same Part I Can Live Without;
The Move – Blackberry Way;
Cheap Trick – Blackberry Way;
The John – Ми се деси пекол;
Amy LaVere and Shannon McNally- Good Old Time;
Shannon McNally – I Ain’t Gonna Stand for It;
Chain and the Gang – Free Will;
Faces – Whole Lotta Woman;
Todd Rundgren – Sleep;
Arcadea – Neptune Moons.

Flashlite #374

Cheap TrickToday we start off with the new record for Cheap Trick. We also introduce new bands: Music Band from Nashville, Vaguess from Long Beach, Terminal Lovers from Cleveland, Rocket Bureau from Wisconsin and Australian Rolling Blackouts. ne of my favorite albums in the last couple of months is Lilly Hiatt’s Royal Blue along with its b-sides, so as a part of my experiment to see what it makes so good, I dug out some past work from the producer and keyboardist Adam Landry and drummer Jon Radford. We also have Jonathan Richman live in CLE, courtesy of our good sponsor Blue Arrow Records.

Dan Stuart – The Whores Above;
Cheap Trick – Blood Red Lips;
Music Band – 5th Street;
Bazooka – Psema;
Termiti – Mama, s razlogom se brines;
Vaguess – Party Gurlz;
Terminal Lovers – The Lamp;
Jonathan Richman – I Was Dancing In A Lesbian Bar (Live in CLE);
Rocket Bureau – Silhouette;
Rolling Blackouts – Heard You’re Moving;
The Passions – Why Me;
Glass Eye – Vegetable wheel;
Oh Ok – Playtime;
Lilly Hiatt – See Ya Around;
Steelism – Apache;
Adam Landry – Just a Whisper;
Justin And The Cosmics – Rippin’ The Heart.

Redd Kross – Researching The Blues

Redd Kross - Researching The BluesIn the past decade or so, we witnessed a surge of reunions, particularly of bands that meant something in the seventies and the eighties. Some of the bands just tour, perhaps make a live album and try to relive the past without changing much. Others make new records. Often times the motive is to draw larger crowds to the gigs than each band member would individually, or perhaps these bands simply want to go back to the youthful years. In any case, reunions are typically in shadows of the famous past. Exceptions to the rules are scarce. I can only think of Mission of Burma and their reunion album On Off On which is as great as anything they did before, if not better, more mature and stronger piece. Now we have a new example in Redd Kross.

Redd Kross formed in the days of LA punk surge, in the late ’70s. The early years were chaotic, but we remember well their ferocious first album Born Innocent, an all cover album Teen Babes From Monsanto and they contribution to the legendary low budget punk movie Desperate Teenage Lovedolls.

The nineties see Redd Kross riding the grunge wave on a major label, although their sound was decidedly power pop and bubblegum. The big show business wasn’t nice to them and they disbanded in 1997. We would occasionally hear about Redd Kross through the years, through their playful website and pioneering work in podcasting.

But, as we said in the first paragraph, they reformed this year. The new line up is some ways the classic Redd Kross – the two McDonald brothers (Jeff and Steven), Roy McDonald (no relation) and Robert Hecker. They were the line up in the late 80s, during the Neurotica period. But, as we hinted, this reunion is not your typical reunion. The new album just bursts with energy, humor, great songs and harmonies.

Let’s face it, Redd Kross albums, well other than the first two, are slightly overproduced. Especially the nineties output. It was possibly their desire to penetrate into the radio market. This new record is crisp and raw, energetic attack to your hi-fi system. There are no tricks, frills nor polishes. Yet, everything is perfectly optimized. The length clocks out just about over thirty minutes, which just leaves you for wanting more and the only option is to repeat the record. This is sort of an effect so rarely seen on today’s records.

The songwriting is flawless. There’s a lot of humor through the horror imagery (Dracula, Frankenstein). The sounds are lighthearted, and just slightly ironic. The harmonies are gorgeous, and I have a feeling that the band worked very closely on arranging them so perfectly. At the same time, the whole deal appears to be effortless. A lot reviews around bring comparisons to Cheap Trick, but what’s funny about this album is that it’s greater and more fun even in comparison to the classic Cheap Trick recordings!

Unexpectedly, the album that’s most fun in years comes from a band that reunited. This puts Redd Kross in a very special place in the history of rock music.
First published on rockxs.com.

Flashlite #130

Benny SpellmanMore bad news this week… Steve Popovich, rock maverick from Cleveland who indebted the world with many great records died last week in Tennessee at the age of 68. Steve was a musical promoter and record label owner in the golden age of ’70s when he helped manage careers of Bruce Springsteen, Cheap Trick, Boz Scaggs, Joe Grushecky, Southside Johnny, Ronnie Spector, Meat Loaf, Johnny Cash – just to name a few. He was a rare breed, a promoter who truly cared for the music he was promoting, someone who believed in what he liked, even if there was no conventional logic for pushing what he pushed. In that way, he is a true inspiration. We also say goodbye to Benny Spellman, a New Orleans singer who also died last week in his hometown at the age of 79. He left behind exciting early rock songs such as Fortune Teller and Lipstick Traces On A Cigarette, both written by Allen Toussaint. We also throw in a few new records. We introduce Dead Rock West from LA, a band clearly influenced by X. Also, we have new albums for Kate Maki and John Paul Keith. Mama Rosin, zydeco band from Switzerland is also back with a collaboration with Hipbone Slim.

The Euclid Beach Band – There’s No Surf in Cleveland;
Ronnie Spector – Say Goodbye To Hollywood;
Ian Hunter – Just Another Night;
Iron City Houserockers – Love’s So Tough;
Johnny Cash – Heavy Metal;
Dead Rock West – Ain’t No Grave;
Dead Rock West – On The Outside;
Centromatic – Most Everyone Will Find;
John Paul Keith – Bad Luck Baby;
John Paul Keith – Otherwise;
The Rolling Stones – Fortune Teller;
Benny Spellman – Fortune Teller;
Benny Spellman – I Feel Good;
Joe Jones – California Sun;
Mama Rosin with Hipbone Slim and the Kneetremblers – Louisiana Sun;
Ramones – California Sun;
SexA – Kupanje;
Kate Maki – From Below;
Kate Maki – The Signal.

Cheap Trick Live In New Orleans

(Written long time ago for the old site) Cheap Trick is one of the most entertaining bands on planet Earth. They started in 70’s but their roots go all the wat back in late 60’s when Rick Nielsen and Tom Peterson played together in a band called Fuse. They were one of those Americans who were heavily influenced by what was coming from England – Who, Kinks, Beatles, Small Faces. Their first album that came out in 1977 was some sort of an American belated and machoised version of British glam. With their contageous melodies, they soon became trend setters in beloved genre called power pop.

For the first few years of their existance they worked hard to gain some popularity and record sales in traditional markets such as USA and Europe, but the success was waiting for them in Japan. Japanese teenagers went crazy about the band and the end of the seventies there was marked as some sort of a Cheaptrickmania. The band went on a tour there and when they played at the packed Budokan theater
in Tokyo the tape was rolling too and soon they published their bestselling album Live at Budokan. Superior live version of I Want You To Want Me from that gig was also their biggest hit in the USA.

After this success the band attempted to add some keyboards and softer sounds on their albums keeping the sales up. The content of their eighties records is merely forgetable, but they remained a hot act live. At the end of the 80s they had a slight crisis, just to come back at the end of the 90s. Their second self titled album in 1997 was comeback to their original basic sound that proved its quality simply lasting this long.

On February 22 we were able to convince ourselves that Cheap Trick really are one of the most exciting live acts ever. The House of Blues was packed, they played about an hour of their greatest hits (excluding He’s A Whore on my sadeness). People were chanting along with the band especially during I Want You To Want Me and Surrender. It’s a Mardi Gras season, so few ladies in the audience decided to show their breasts, which in most cases disguisted the band, but they were still awarded thousands of pickups that Rick was generously throwing thruought the show. He is really the frontman of the band although Robin Zander is on vocals. Actually, that whole frontmanship in Cheap Trick is a really interesting topic. Two prettyones, Robin and Tom are on the covers always shown in their full rock’n’roll speed god-like fashion, whereas Rick and Boz with their goofy looks often take back sides of their record covers. The live shows are totally opposite, while Robin and Tom usually stay motionless, Rick is the king of the stage, spinning around, throwing pickups at the audience, making silly faces… Of course, the biggest thing is that he changes his custom-made guitars after each song. I’ll add that he is probably the only musician allowed to do that, as he leads this deed to sarcastic levels when he pick up his four-neck guitar! Yet his playing techinique reamains clean and simple.

Anyway, if you want pure rock’n’roll fun without any spices and additions, the way it was modeled by power pop pioneers, Cheap Trick is still the best band to check out.

Cheap Trick Website.