Vinyl Junkyard instalment #15 is here! In special episodes like this one I play almost entire LPs that I found dirt cheap somewhere laying in some bargain bin at a record store. Today’s pick are two volumes of Jin Records compilations of Swamp Pop hits Golden Dozen that came out some time in the 70s. Jin Records was a home to some great Swamp Pop hits, Opelousas Sostan by Rufus Jangneaux most notably. Swamp Pop was a special brand of Louisiana rock music that was probably the main genre in that state locally and it rarely got out. The music was a blend of rock’n’roll and cajun melancholy. We will go through twenty two of the 24 tunes on these two albums and we will provide some dry info on most of the bands that found their place on these records.
John Fred And The Playboys – Judy In Disguise;
Bobby Charles – Everyone Knows;
The Boogie Kings – Tell It Like It Is;
Johnnie Allan – Talk To Me;
Clint West – Our Love;
Toussaint McCall – Nothing Takes The Place Of You;
Rufus – Opelousas Sostan;
Dale And Grace – Stop And Think It Over;
Tommy McLain – Sweet Dreams;
Rod Bernard – Congratulations To You;
Clint West And The Boogie Kings – Try Me;
Rod Bernard – Loneliness;
Bobby Charles – I Hope;
Cookie And The Cupcakes – Mathilda;
Bobby Charles – One More Glass Of Wine;
Cookie And The Cupcakes – Got You On My Mind;
Dale And Grace – I’m Leaving It Up To You;
The Uniques – You Don’t Miss Your Water;
Shelton Dunaway with Cookie And The Cupcakes – Betty And Dupree;
Jerry Jackson with The Boogie Kings – I Can’t Stop Loving You;
The Uniques – Not Too Long Ago;
Charles Mann – Red Red Wine
It’s time for another Vinyl Junkyard special of The Little Lighthouse. In such special episodes I play almost entire LPs that I found dirt cheap somewhere laying in some bargain bin at a record store. Today’s pick is a live compilation album London R And B Sessions at Hope And Anchor. Hope and Anchor was an important live venue in London that promoted pub rock and punk bands in the late 70s. There was a well known live compilation that promoted punk rock in 1977, but there is also a lesser known album from 1980 that promoted rhythm and blues sound and featured excellent pub rock bands from that era. This lesser known album is the topic of today’s special. Kick back and enjoy cuts from this album, mixed in with some studio recordings and some info that I found about this interesting rock scene.
This is one a Vinyl Junkyard edition of our show. In Vinyl Junkyard specials I play almost entire LPs that I found dirt cheap somewhere laying in some bargain bin at a record store. Usually the stuff comes from The Blue Arrow Records in Cleveland. This time we have two albums from the nineties. Nineties were a time where LPs were being phased out on the market in favor of CDs. Still, some important record also saw vinyl versions and today we bring you Mouthful of Violence by Big Trouble House and Moontime by Anastasia Screamed. These are not just some random albums from the era, but also some of my favorite records ever. It’s a real pleasure to introduce them to you, since the bands and the records went fairly unnoticed at the time and are often missed by the critics too. Big Trouble House are from Minneapolis, lead by the guitar player Phil Harder. After the band failed to leave much mark on the scene, he moved on into making music videos. Anastasia Screamed were from Boston. They were lead by Chick Graning. This band also failed to make much fuss on the scene, so he formed Scarce which became almost famous with their single All Sideways, but Graning suffered from an aneurysm and had a bad case of amnesia. Scarce reformed recently.
Today’s show is a part of our Vinyl Junkyard serial in which we dedicate time to one LP that I’ve found dirt cheap collecting dust in some bargain bin box. The one we grabbed today is a tribute to the Byrds, called Time Between. It came out on Communion records in 1989 and it collected the cream of the crop when it comes to the alternative rock scene of the day, covering Byrds exclusively the songs written by the main original Byrds: McGuinn, Clark, Crosby and Hillman. In my mind, the highlight of the record is Thin White Rope’s version of Everybody Has Been Burned, but nearly every song marks more than a decent attempt at revising the old Byrds sound. This LP, together with the Husker Du single covering Eight Miles High did a great job of turning the younger audience to Byrds. And I was one of them.