Jesse Lee Smith is a fellow that hails from the Atlanta rock’n’roll scene that gave us many interesting garage rock bands in the past few years. One of the bands that started it all was the Ramones influenced quintet The Carbonas and Jesse played bass in it. He had a somewhat more complex vision on what his music should be, so he started a solo career with a rotating line up of musicians simply referred to as “his men”.
His vision was first widely exposed on an excellent solo debut album from 2008 and now we have a sequel on the second album called Leaving Atlanta. The musical spectrum Jesse took on his solo albums is decidedly power pop oriented, but also informed with the English pub rock scene and Stiff records. Indeed, the cover art of the first album is a clear nod to Elvis Costello and his Last Year’s Model.
The new album doesn’t bring much new, which in this case is a very good thing. Leaving Atlanta is a collection of extremely catchy tunes on love, loneliness and going out and partying, just like the first record. Both albums remind me a lot on the 1980 Stiff records classic Where Are All The Nice Girls by Any Trouble.
The musicianship is heavily based on the jangling Rickenbacker guitar sound and perhaps one could argue that the digital version of the album (CD or mp3) is mixed a bit too much in mid and high frequencies. But, perhaps the Jesse wanted to have a nice sound on the vinyl, which is definitely achieved. The old plastic version of the record plays great and it sounds like something recorded in 1979. On Stiff I might add once more!
First published on rockxs.com.
This is one of the heaviest shows with new materials if you consider what rockers we have with new records this time: Bruce Springsteen, Elvis Costello, Mike Watt, Steve Wynn and Greg Cartwright. What a line up, huh? So, let’s see – the Boss dug out old sessions for the Darkness at The Edge of The Town album and has them out now as a double disc called The Promise. Costello recorded an album called National Ransom with T. Bone Burnett in LA and Nashville. Mike Watt has a new conceptual record called Hyphenated-Man and it’s about his life as a middle aged punk. Steve Wynn gathered his Miracle Three over in Richmond to record a new album which they call Northern Aggression. That one’s somewhat of a loose concept too – Yanks belting out in the Southern man’s land. Greg is here with a new band called The Parting Gifts, apparently an one time gig for him and Coco Hames of The Ettes.
Daughter of venerable jazz legend Mose, Amy Allison has made her own name in the songwriting world with a series of very good albums. This years Sheffield Streets is my favorite. Her music will remind you on the greatest Victoria Williams moments but what will take you by surprise is the wide range of melodic styles that Amy tackless through the album. Every song on the record is a small lesson in good songwriting. Track five is also very interesting, it’s a cover of her father’s song Monsters of the Id, performed together with Elvis Costello.