Drazen Vrdoljak wore the most recognizable moustache on Yugoslav TV, he had the strangest accent on the entire radio scene, but those are all just small funky things about him that don’t really matter at this point in time… The news comes to me that he had passed away recently at the age of 57, leaving a great legacy of rock journalism and rock enthusiasm that is rarely seen anywhere. He started off in the late sixties/early seventies by publishing eloquent and analytic music press texts raising a bar in that branch on the local scene. He moved on to television, but his most important influence lied in his close and friendly ties with musicians. Here is the list of five greatest Drazen’s contributions that made the Yugoslav rock scene the better place:
1) His participation at Buldozer’s 1975 LP Pljuni istini u oci. This LP was by far the most unexpected, the most outrageous LP recorded in Yugoslavia before the new wave. The band was greatly influenced by US avant-garde groups such as The Fugs or Mothers of Invention. Conceptually, it was designed as a tabloid newspaper and each song was one bizarre “article” in it. The LP also caused quite a stir with a controversial cover-art. Drazen helped coming up with the ideas for it.
2) Drazen organized and announced new wave concerts at the height of the Yugoslav new wave. Two greatest live albums ever recorded in Yugoslavia, Film’s Uzivo u Kulusicu and Elektricni Orgazam’s Braco i sestre open with his unforgettable announcements.
3) Drazen made country music cool back home in several ways, he wore publicly western outfits and cowboy boots in the middle of Zagreb, Croatia, he played the coolest country acts in his shows and encouraged formation of local country bands in Zagreb.
4) He helped Haustor record one the greatest new wave singles ever recorded in Yugoslavia Moja prva ljubav and
5) He interviewed Frank Zappa on Yugoslav television back in the early seventies as if he was a regular pop star.
Every local scene needs people like Drazen!
First 30 minutes of today’s show is very loud and the the other half of the show we mellow down easy with some folksy type of rock… at least if you consider young savage Westerberg strumming his acoustic guitar mellow. We do. So, yes that second block begins with his “protest” song Bad Worker that’s one of the “extras” on the newly re-re-released expanded versions of first four Replacement records. We check them out pretty carefully in today’s episode. The we had also the new Billy Bragg’s double CD which he calls Mr Love and Justice. Steve Wynn recoded an album in Ljubljana, so we check that out as well. In the first half, we have the new band for the former Dead Moon members Fred and Tony. They call it Pierced Arrows. We also check out new records for Wedding Present and The Ettes. Also, I got a chance to shake hands with legendary Tommy Ramone who played a show with his bluegrass duet Uncle Monk in Cleveland. So, the show ends with one of the songs that I recorded on my voice recorder that night. So, yeah – a lot of new stuff today. Dig in.
For all the hard working people all over the world, happy May Day! We’re bringing you some interesting new stuff at the Little Lighthouse today. First of all, Tim Lee is back with a rocking new album
Tim Lee is a southern gentleman with a respectable career in rock’n’roll behind him. He started out in Mississippi’s own new wave outfit The Windbreakers. Like all proper things that come from the south, Tim’s new wave was deeply rooted in rock’n’roll traditions while still being always fresh. Forward thinking college rock crowd at the time embraced The Windbreakers as a rare jewel and the band kept their cult status throughout the years. Tim also had a very special interstate adventure with Matt Piucci when they gathered Gone Fishin’ recorded a great lost masterpiece Can’t Get Lost When You’re Goin’ Nowhere in 1987. But, much like his friend Steve Wynn, Tim Lee is experiencing a new, exceptionally strong artistic inspiration in past several years with his new trio Tim Lee 3. Baring the sound down to the bones – bass, guitars and drums with added confessional lyrics to top it all, Lee and his trio deliver a straight-forward rock with honesty rarely found today and any day. The new album Good2b3 (
The newest Flashlite edition of The Little Lighthouse brings home Melvins who have a smashing brand new album Nude With Boots. We also have two new names, The Surgens are finally in the playlist and we also have The Birdinumnums. They hail from Los Angeles and are brought to us by Pamita. She has her blog bot monitoring what we’re saying here, so “Hi Pam!”. Also, we have Tito and Tarantula with their new song as well.
The Birdinumnums are coming from Los Angeles. It’s a new showcase for Pam Moore who used to be in The Neptunas, Cheap Chick (and several other bands) and Andrew Chojnacki from the Peachfuzz. It’s a power-pop deal with gorgeous melodies and vocal equally split between Pam and Andrew. Their first CD, She Say Go is a six-song ep available on
Sad news comes to us from Germany. Klaus Dinger, one of the founders of what we know now as kraut rock died on March 21st. He was a founder of Kraftwerk and before they went fully synth, he got out and found another big kraut rock band Neu. As a tribute to Dinger, we play some Neu songs but also a small Neu spoof by Ciccone Youth. New stuff in today’s show is Viva Glorio, a new name for an old band from Zagreb, one of the most mysterious yugo-rock groups Trobecove krusne peci. Cleveland rockabilly band Lost State of Franklin shakes things up with their own song Clint Eastwood Never Dies. We also played a song from a new ep by Pete Molinari. We continue browsing the Love is the Song We Sing by checking out an unusual girl band called The Ace of Cups.
Once upon a time in Austin TX there was an extraordinary band called Glass Eye. Kathy and Brian were in it. Glass Eye had a timeless sound that was difficult to place. With full drum sound, heavy bass and Katy’s spacey vocals, they were completely different than any other 80s underground act. You could say they were ahead of their time. Kathy and Brian reunite for the new album in 2005 for the first time since the Glass Eye broke up with original songs, although Kathy and Brian published two cds of Daniel Johnston songs in the nineties. Another Day In The Sun is an incredibly strong LP. Had I heard it in 2005 when it came out originally, it would’ve been my favorite that year. Since I missed it then, it was by far my favorite spin this year.