We welcome you to a new epsode of The Little Lighthouse with several new interesting tunes. We have a brand new band from Atlanta GA, All The Saints with their own twist on psychedelic rock. The Service Industry were around for quite some time with their songs about survival in the working class, but this is their debut at the Little Lighthouse. Diplomats of Solid Sound is a new retro band from Iowa, drawing on soul and funk sound patterns from the golden era of 60s and 70s. Also, check out two new tunes that we dug out for you – one by Ray Mason and other by The Moaners.
Also, from now on, we will have two new bonuses (bonae?) per week, the usual Down on the Corner and a new one – Mystery Train, another good show prepared weekly by Zikica Simic.
The Fuzztones – Bad News Travels Fast;
Screaming Trees – Transfiguration;
Rain Parade – One Half Hour Ago;
Pink Floyd – Astronomy Domine;
All The Saints – Papering fix;
The Service Industry – They Fired Me;
Eddy Current Suppression Ring – which way to go;
King Khan and The Shrines – Sweet Tooth;Diplomats of Solid Sound – Budget Fro;
Miss Alex White and the Red Orchestra – Submarine;
Tralala – Dark Things;
The BellRays – One Big Party;
Petula Clark – Dans Le Temps;
Voice Of The Beehive – I Say Nothing;
Madness – Burning The Boats;
Ray Mason – I Wanna Be A Holiday;
The Moaners – Raggedy Tune.
Second effort for the two rockinest ladies on contemporary music scene. The new album is stretching beyond the neo-blues genre, with “When We’re Dead And Gone†having a melody of a 60s girl group hit and a nod to blaxploitation in “Foxy Brownâ€. In addition, Melissa and Laura are capable of pulling the most exciting live show you can imagine. This was my favorite album in 2007, during the hiatus of the show.
There are two central blocks in todays show. One is about T Bone Burnett and the other is about his ex wife Sam Phillips. Burnett has a new album Tooth of Crime and we sample one song from it together with three older Burnett’s songs. Sam Phillips also has a new album Don’t Do Anything which she recorded without Burnett’s help for the first time. Some of the songs on it seem to be about their divorce.
Today we start off with a few upbeat classic songs and then we check out the new Modey Lemon lp called Season of Sweets. Then we dwell into a jazz moment when we check out television actress Marla Gibbs as a singer and then classic British acid jazz from the eighties – Working Week. Jayber Crow is a new Minneapolis duet obsessed with Midwest folk mythologies. We end the show with a live version of The Magnificent Seven Theme from the new live album for the Nashville instrumentalists Los Straitjackets.
The new Laura Cantrell’s album deals with means of transportation. Trains, boats, planes… One of the songs on it is Merle Haggard’s Silver Wings and we check out several versions of it in today’s show. We also make two quick runs through the John Hiatt and Hold Steady songbooks, including their brand new albums. The show ends with Danish band Cola Freaks that I saw live last year. They Will be coming back to the USA (and Cleveland) in August.
X lead us into today’s episode of the Little Lighthouse. I finally saw them live in Cleveland after a failed attempt due to the sold out club in New Orleans and it was unforgettable. We also have some new stuff – The Old 97’s are back with a very good album Blame it On Gravity and Willie Nelson has an amazing box set out, One Hell of a Ride, that reminded me how great he really is. Not that I ever doubted! We also introduce Heartbreak Willie (actually Luka from My Buddy Moose) and Petra, brother and sister from Rijeka who made some nice demos in their home studio.
Sad news from Zagreb, folks!
Drazen Vrdoljak wore the most recognizable moustache on Yugoslav TV, he had the strangest accent on the entire radio scene, but those are all just small funky things about him that don’t really matter at this point in time… The news comes to me that he had passed away recently at the age of 57, leaving a great legacy of rock journalism and rock enthusiasm that is rarely seen anywhere. He started off in the late sixties/early seventies by publishing eloquent and analytic music press texts raising a bar in that branch on the local scene. He moved on to television, but his most important influence lied in his close and friendly ties with musicians. Here is the list of five greatest Drazen’s contributions that made the Yugoslav rock scene the better place: