Tag Archives: Laura Nyro

Billy Childs – Map to the Treasure Reimagining Laura Nyro (Sony)

Map to the Treasure Reimagining Laura Nyro reviewMaking a good tribute is not an easy thing to do. You can have the best musicians the best songs but rarely do things fall together so nicely. On Map To The Treasure things came together perfectly and I think several things contributed to that.

First, you can find jazz, country and rock musicians and singers all collaborating together which could potentially be a bit chaotic, but one important thing to have in mind – this is a tribute to Laura Nyro – you have to be chaotic.

Second, obviously everyone involved, especially the boss of this project Billy Childs, is deeply in love with the music of Laura Nyro.

Third, the whole record is a very curious combination of emotional and rational. The songs and Laura’s musical approach wasn’t just presented as a replay, but her style and arrangements are closely studied and built upon.

And forth, the record is a strange combination of different musical taste. The musicians behind this record walk a thin line of delicious madness and saccharine which make the repeated listening an excellent pleasure. Just hear Rickie Lee Jones belting out some really out of the left field vocals on Been on a Train, and compare it to a more conventional approach taken by Dianne Reeves and Alison Krauss on this record, and you will know what I’m talking about.

Flashlite #307 – The Best Albums in 2014

Sweet AppleEvery musical outlet out there has a year-end list. Little Lighthouse is not an exception, although the order should be understood conditionally. It does not rely on objective measurements, it simply compiles feeling towards albums that preoccupied my attention through 2014. Number one is Sweet Apple. Yours truly marginally participated in making of that record, and perhaps there’s a strong bias towards it for me. You would be right about that. But this particular record is a fun collection of songs without much pretension. What more can you ask from an LP? OBN IIIs and Liquor Store are great new bands which made ambitiously sounding records that rock. They even bring out a long forgotten idiom of hard rock, back into the modern rock’n’roll dictionary and it made me realize how much that sound is missed in the music world today. Together with some important reissues, these two albums mark the revival of that lost musical genre. Those two records are so rich with sounds and ideas that live performances of these two bands must be stripped down to a skeleton. Outragous Cherry has an astonishing return, with one of their best records ever. First Base and Strungs go back to the basic three chords and short songs – a formula that oh so often works great. Lydia Lunch calls out the ghost of Jeffrey Lee Pierce like no other artist before. Doug Gillard attempted to make a good easy listening record and ended up with a timeless masterpiece which will be remembered well in his opus. Billy Childs makes a loving tribute to Laura Nyro which borders madness and saccharine. Who’d have thought those two “lands” share a border? Kelley Mickwee and Haden Triplets show interesting ways to keep bluegrass alive and it trips my mind how most folks out there think negatively of this wonderful Haden Triplets record. Bonnie Prince Billy takes some old songs and brings in a new life to them with an incredibly focused interpretation… and so on. All the best in 2015, actually 2014 wasn’t that bad musically as it may appear on the surface.

01 Sweet Apple – The Golden Age of Glitter
02 OBN IIIs – Third Time to Harm
03 Liquor Store – In the Garden
04 Outrageous Cherry – The Digital Age
05 Billy Childs – Map to the Treasure Reimagining Laura Nyro
06 The Strungs – Nothing is Possible
07 Doug Gillard – Parade On
08 Lydia Lunch & Cypress Grove – A Fistful of Desert Blues
09 First Base
10 The Haden Triplets
11 Kelley Mickwee – You Used To Live Here
12 Bonnie Prince Billy – Singer’s Grave a Sea of Tongues
13 Harp Explosion Thee One Man band – 5 Years Later
14 The Lupines – Over The Moon
15 Cheap Wine – Beggar Town
16 Radio Moscow – Magical Dirt
17 Reigning Sound – Shattered
18 Danny And The Darleans – Stink
19 Nude Beach – 77
20 Mitski – Bury Me At Makeout Creek

Mitski – Carry Me Out;
Nude Beach – I’m Not Like You;
Danny And The Darleans – It’s About My Baby;
Regning Sound – Baby, It’s Too Late;
Radio Moscow – Got The Time;
Cheap Wine – Black Man;
The Lupines – Everlasting Man;
Harp Explosion Thee One Man band – I Don’t Know;
Bonnie Prince Billy – So Far and Here We Are;
Kelley Mickwee – Take Me Home;
The Haden Triplets – Oh Take Me Back;
First Base – Get A Taste Of Your Love Again;
Lydia Lunch and Cypress Grove – St. Mark’s Place;
Doug Gillard – Upper Hand;
The Strungs – You Will Be Forgot;
Billy Childs frat. Dianne Reeves – To a Child;
Outrageous Cherry – I Think She’s Alright;
Liquor Store – Big Wheels;
OBN IIIs – Brother;
Sweet Apple – Reunion;
Sweet Apple – Boys In Her Fanclub;
Sweet Apple – Let’s Take The Same Plane.

Flashlite #294

John SchooleyToday we have John Schooley – a one-man-band with the new LP. Lars Cleveman is a singer-songwriter from Sweden who we introduce today with the Zeppelin standard The Gallow’s Pole. We also introduce Becca Stevenson, who appeared on the great new Billy Childs tribute to Laura Nyro. For those who are into quality reissues – there are two interesting compilation from the Numero group. Cavern Sound is a bit more on the psychedelic side and chronicles a Missouri rock scene from the late sixties. Warfaring Strangers chronicles the American underground hard rock scene. Live in Cleveland segments brings Shawn Colvin with her cover of Gnarls Barkley’s Crazy.

Led Zeppelin – Gallow’s Pole;
Kim Simpson – The Day Sir Douglas Died;
Ben Vaughn – Boomerang;
The Sir Douglas Band – San Fransisco FM Blues;
Ben Vaughn Combo – You’re Gonna Hurt Yourself;
John Schoolety – Pray For the Lights to Go Out;
Tide – I Wish It Hadn’t Ended That Way;
Chris Cacavas And Edward Abbiati – Hay Into Gold;
Lars Cleveman – The Gallow’s Pole;
Leadbelly – The Gallows Pole;
Taj Mahal – Done Changed My Way Of Living;
Stone Axe – Slave of Fear;
Morningstar – Little By Little;
Shawn Colvin – Crazy;
Laura Nyro – The Confession;
Becca Stevens – The Confession.

Flashlite #289

Bruno Subiotto, Roger N. OutIt’s a heavy show today. We start off with OBN III’s from Austin TX, lead by Orville Bateman Neeley III. Their new album Third Time To Harm, which is loud add diverse love letter to rock’n’roll. Speaking about rocking, one of the strongest bands in Yugoslavia was The Spoons from Pula. Their singer Bruno Subiotto continued his career as a singer in numerous bands, and also as an actor. His new band is called Roger N. Out which we feature in today’s show. San Pedro Slim is also a new name in our show. He comes from San Pedro, sings the blues and plays a mean harmonica. Chuck Prophet’s new single is also featured today. It’s a heavy show today, but we finish with an incredible, soft new arrangement of Laura Nyro’s Been On A Train. This features Rickie Lee Jones on vocals and will be out on the upcoming Billy Child’s record Reimagining Laura Nyro.

Laura Nyro – Been On A Train;
Patto – Hold Me Back;
OBN IIIs – Parasites;
Blue Oyster Cult – Betty Lou’s Got A New Pair of Shoes;
Bob Mosley – The Joker;
The Spoons – Sooner or Later;
Roger N. Out – Ride Me;
Morgen – Welcome to the Void;
Powder Monkeys – I Thank You;
Sam and Dave – I Thank You;
J.B. Lenoir – The Whale (Blues Alphabet);
San Pedro Slim – Someday I Won’t Care;
Chuck Prophet – Lonely Desolation;
The Chamber Strings – I’ll Die Before She Leaves (Live in CLE);
Billy Childs Feat. Rickie Lee Jones – Been On A Train.

Instrumental bed music: Frank Zappa – Duodenum is dedicated to my dad.

Rickie Lee Jones

(Written long time ago for the old site). The story of Rickie Lee Jones starts in the late seventies, when she appeared on the cover of Tom Waits’ Blue Valentine. At the time, she, Tom and saxophonist Chuck E Weiss were unseparable friends sharing everything – talks, music, poetry, booze… One day Waits phoned Rickie saying, “Hey, babe, Chuck E’s in love…”. That was the end of trio’s close friendship, but the start of Rickie’s fruitful career. After Waits hung up, she sat down and wrote Chuck E’s In Love one of the most beautiful anthems of the seventies singer-songwriting scene in Los Angeles. One other Rickie’s song, Easy Money caught attention of the famous slide guitar player Lowell George (ex Little Feat, huge influence on Dixie Chicks). George’s reccomendation assured Rickie a contract with Warner Brothers and her first phenomenal album called simply Rickie Lee Jones was out. It included both Chuck E’s In Love and Easy Money and other 10 excellent songs, each better than the other. Rickie charmes everybody with her songs and her very sensual voice. Her singing includes a unique type of miaowing, wich makes her sound in moments like a little girl, and like a sexy diva at the same time. Rickie Lee Jones had an open road to have career as a popular singer, but she took some other roads

Her second album, Pirates surprised evrybody, as her songwriting technique achieved full maturity. Album included lengthy odes to the bohemian street life, full of wonderful images and great instrumentation by the old wolves of the Los Angeles scene, Nick De Caro, Russ Titelman, Lenny Waronker and Donald Fagen. The result was one of the artiest and most rounded records of Laurel Canyon scene.

After that point, Jones established herself as an respectable artist, and she stopped publishing records regularily. Two years after the Pirates, Rickie published a 10″ record Girl At Her Volcano, mostly filled out with covers, and audience waited one more year for a regular album Magazine. Critics never accepted the album, but I think that they were too harsh. The “A” side of the album contained Rickie in a little more easy listening manner, and “B” side was most complex Rickie’s work up to that time, and those two sides made a nice little contrast on the aestetical canvas of this album.

One of the interesting characters with whom Jones colaborated closely throughout the career was Sal Bernardi, who contributed in some of the structurally most interesting Rickie’s songs Western Slopes from Pirates and song triology Rorschachs out of the Magazine. Strangely, I’m not familiar if Sal worked with anyone else or if he had some solo projetcs, but I’m curious about his work

Five years after Magazine Jones made another master piece Flying Cowboys which reminded many of us on Laura Nyro’s work. This was a great way for Rickie to pay a tribute to one her obvious influences. This time, Jones worked with Walter Becker behind boards, so the goregous sound was guaranteed.

Rickie Lee Jones likes to play other people’s songs, but she pretty much keeps a straight line between her own songs and covers. After the Girl At Her Volcano, she made two more cover only albums Pop pop and the most recent one It’s Like This. It is always a big pleasure hearing her strange performances and unusual sellections.

Jones’ moves are hard to predict. In 1997 she published her last album consisted of her own songs, Ghostyhead, which was a strangest little thing that came out in 1997. Rickie likes exploring music, so after listening to a lot of Bristol based trip hop bands, she made a trip hop album full of great poetic pastiches. I heard people calling her a trip pop beatnick, which was a great characterisation. Rickie also colaborated with Mike Watt on several of her live shows, and I’m very unpatient to hear more from two of them…