
Roots rock review today with the new track from Walter Daniels, who joined forces with Jack Oblivian. We have some recent work from the Spanish band Guadalupe Plata, Jessy Dayton from Texas, Lilli Lewis from New Orleans and we introduce Cinelli Brothers from London and Diablogato from Boston. We check out a new track be Arthur Adams, an 80 year old blues legend who is still going strong. Mike Zito and Sonny Landreth joined forces on a new Creedence Clearwater tribute.
Mose Allison – The Seventh Son
Walter Daniels Meets Jack Oblivian and the Sheiks – 7th Son
Guadalupe Plata – Al Infierno que Vayas
Guadalupe Plata – Esqueleto
Hipbone Slim and the Kneejerkers – Kneecapped
Jesse Dayton – Baby’s Long Gone
Mike Zito & Sonny Landreth – Fortunate Son
Janiva Magness – Fortunate Son
Divine Horsemen – Talking in your Sleep Again
Lilli Lewis – Sin Eater
Arthur Adams – Kick Up Some Dust
Terry Adams – These Blues
NRBQ – Scraps
David Craven & Jon S Williams – Trees sing
The Cinelli Brothers – Ain’t Blue But I Sigh
Diablogato – Blasphemy
Buddy Guy & Junior Wells – When I Feel Better
Kerri Powers – Rusted Bell
Arthur Adams – Let Your Hair Down
Luther Dickinson – Boom Boom

This show starts of with Jonly Bonly – a new band out of Austin, lead by Jason Smith who used to be a lead guitarist in OBN IIIs. Dreamsalon from Seattle are back in our show. Exactly one year ago we introduced them with their previous album, and now the new one Soft Stab is out. John Schooley teamed up with Walter Daniels who played with many – 68 Comeback and Oblivians are just some of the names. Chook Race from Australia took those REM jangly guitars and reincarnated that lost sound on a new record About Time. Jeremy Morris from Lemon Clocks is back with another band called simply The Jeremy Band. And in the end we pay another homage to Kim Fowley.



Last year a surprisingly uncharacteristic album came from Lydia Lunch. She and her collaborator, guitarist Cypress Grove recorded a mighty fine, moody, rock’n’roll album called appropriately A Fistful of Desert Blues. Rarely does a record title fit the sound so well. It’s a western desert blues record that can stand next to any Gun Club record and live up to it.