Tag Archives: Jim Dickinson

Flashlite #415

Jillian from Ruby The HatchetIt’s a heavy show today, at least in the beginning. We begin by introducing Ruby The Hatchet fronted by Jillian Taylor, from New Jersey. Then from Maryland, via the new Heavy Nuggets compilation, we check out The Obsessed. Then we pay a tribute to Rick Parfitt, the rhythm guitarist of Status Quo who passed away on December 24th. Then we introduce two brand new bands, one from Australia – The Rhinehearts and the other one Tyler and The Names, fronted by Tyler Bejoian from Boston. At the very end of the show, we hear two bonus songs from the brand new reissue of the legendary album Dixie Friend by Jim Dickinson.

Always August – Flatland;
Ruby The Hatchet – Vast Acid;
The Obsessed – Be the Night;
American Sharks – Satan’s Overture Pt. 1;
Nudity – Now I’m Resting;
Status Quo – Drifting Away;
Status Quo – Pictures Of Matchstick Men;
Camper Van Beethoven – Pictures of Matchstick Men (Live in CLE);
Rinehearts – By Himself;
Tyler & the Names – Orange Van;
The Infidels – Summertime Sucks;
Giant Sand – Milkshake Girl;
Babe Ruth – Sad But Rich;
Goodnight Loving – Dead Fish on the Banks;
The Prophet Hens – I Might Not Be Right;
The Mobbs – G-Type;
Occult Detective Club – The Way It Goes;
James Luther Dickinson – Old Time Used To Be (Christmas Tree);
James Luther Dickinson – Clap Your Hands.

Flashlite #315

Tim Lee and Susan BauerWe have some nice new projects for the familiar faces at The Little Lighthouse. Jeffrey Evans (68 Comeback, Gibson Bros) plays with Ross Johnson (Panther Burns) occasional gigs in Memphis and now an album of a set they recorded back in 2008 with Jim Dickinson is finally out on a disc. Robert Pollard gathered some old Dayton friends and formed a new band called Ricked Wicky (actually the name of one of his first bands). Tim Lee and Susan Bauer celebrate a 33rd and 1/3 anniversary with an LP of the same title. We introduce some new names in this show this time: Germ House from New Mexico, Two Gallants from San Francisco and The New Piccadillys who play Mersey beat versions of well rock’n’roll standards (mostly!).

Tim Hardin – Once-Touched By Flame 1;
68 Comeback – Chantilly Rock (And A Pony’s Tail);
Ross Johnson and Jeffrey Evans – Dateless Night;
The Strungs – Closing Speed;
Ricked Wicky – Frenzy of Blame;
Germ House – I Can’t Stand Neon;
Turf War – Where I Belong (Live in CLE);
The Windbreakers – Again;
Tim Lee 3 – (Let’s Do) Something Stupid;
Two Gallants – My Man Go;
Rod Stewart – Gasoline Alley;
Koko Taylor – Wang Dang Doodle;
The New Piccadillys – Voodoo Chile;
Jimi Hendrix – Blues – Voodoo Chile Blues;
Stop – Voodoo Chile;
Tim Hardin – Once-Touched By Flame 2.

Flashlite #299

Jack BruceToday we say goodbye to one of the greatest musicians in rock’n’roll, the bass player of Cream, Jack Bruce who passed away on October 25th this year. We briefly review his career through his songs with Cream, solo and Golden Palominos. In our Blues Alphabet segment we hear the original version of I’m So Glad, popularized by Jack Bruce, but written by Skip James. Rory Block, the greatest female blues guitarist who’s been around since the sixties, made a new tribute to Skip James.We also check out the new music by Dan Stuart hecho en Mexico with Twin Tones. We also have some new, promising bands today: Manateees from Memphis and Soft Shoulders from Montreal. We tie things up today with The Klitz, more legend than a band, four ladies from Memphis, organized and recorded by Jim Dickinson in the late seventies, which is now finally out on a 7″. Also, check out Eddie and The Hot Rods in our live in Cleveland segment, they really sounded great.

Jack Bruce – Theme for an Imaginary Western;
Liquor Store – Vodka Beach;
The Manatees – Shitwolf;
Cheap Wine – I Am The Scar;
Dan Stuart – Elena;
Eddie And The Hot Rods – Quit This Town (Live in Cleveland);
Gangsters – Harlow Town;
Muscle Beach – Let’s Get Dumb;
Cream – White Room;
Jack Bruce – Peaces of Mind;
The Golden Palominos – (Something Else Is) Working Harder;
Skip James – I’m So Glad (Blues Alphabet);
Rory Block – I’m So Glad;
Meat Puppets – Rat Farm;
Soft Shoulders – Dragon;
The Klitz – Hard Up.

Flashlite #255 – The Best Albums in 2013

GamesAs usual, at the end of the year, we bring you the list of the best albums played here at The Little Lighthouse in the past season. I think this was an interesting year. Debutant band Games tops the list with a catchy selection of hits. The ghost of Jim Dickinson rules the list this year with several bands paying tributes to him. Memphis is the most frequent city on the list, remaining the capital of rock’n’roll still after all these years.

01 Games (Hozac)
02 The Trashed Romeos – Where Dreamers Never Go (Trashy Creatures/Burger)
03 King Gizzard and The Lizard Wizard – Eyes Like The Sky (Flightless)
04 The Oblivians – Desperation (In The Red)
05 Chris Cacavas – Love’s Been Re-Discontinued (Cactus Head)
06 The Fuzz (Munster)
07 The Bevis Frond – White Numbers (Woronzow)
08 Michael Tarbox – Works And Days (self)
09 The Sadies – Internal Sounds (Yep Roc)
09 Meat Puppets – Rat Farm (Megaforce)
10 Mikal Cronin – II (Merge)
11 Low Cut Connie – Call Me Sylvia (Side One Dummy)
12 The Dirtbombs – Ooey Gooey Chewy Ka-blooey! (In the Red)
13 North Mississippi All-Stars – World Boogie Is Coming (Songs of the South)
14 Marc Ribot’s Ceramic Dog – Your Turn (Northern Spy)
15 Bad Sports – Bras (Dirtnap)
16 Howe Gelb – The Coincidentalist (New West)
17 Jim Keays – Dirty, Dirty (Shock Entertainment)
18 Willie Nile – American Ride (Loud & Proud)
19 Jimbo Mathus And the Tri-State Coalition – White Buffalo (Fat Possum)
20 Left Lane Cruiser – Rock Them Back to Hell (Alive)
21 Barrence Whitfield – Dig Thy Savage Soul
22 Stan McMahon – La Di Da
23 Fuzz (Ty Segall)
24 The Len Price 3 – Nobody Knows
25 Miss Chain And The Broken Heels – The Dawn

Miss Chain And The Broken Heels – It’s Gone;
The Len Price 3 – My Grandad Jim;
Fuzz – Raise;
Stan McMahon – Let It Go;
Barrence Whitfield And The Savages – Hey Hey Little Girl;
Left Lane Cruiser – Juice to Get Loose;
Jimbo Mathus And The Tri-State Coalition – Fake Hex;
Willie Nile – Say Hey;
Jim Keays – Come See Me ( I’m Your Man );
Howe Gelb – Unforgivable;
Bad Sports – Eddie Bender;
Marc Ribot’s Ceramic Dog – Special Snowflake;
North Mississippi Allstars – Rollin ‘n Tumblin;
The Dirtbombs – Sugar On Top;
Low Cut Connie – Don’t Cry Baby Blue;
Mikal Cronin – I’m Done Running From You;
Meat Puppets – River Rose;
The Sadies – Leave This World Behind;
Michael Tarbox – Capricorn;
The Bevis Frond – For Pat (On the Chaise Longue Dreaming);
The Fuzz – Air;
Chis Cacavas – On the Floor;
Oblivians – Pinball King;
King Gizzard And The Lizard Wizard – Eyes Like The Sky;
Trashed Romeos – The Grass Is Never Greener;
Games – It’s Just Impossible;
Games – When The Time.

The Fuzz (Munster)

The Trashed Romeos - Where Dreamers Never GoThings are very complicated this year. There are two excellent bands with the name of (The) Fuzz. Both are special projects from previously well established musicians. There is Fuzz (without “the”) from San Francisco lead by Ty Segall, a band that has captured attention of music fans all over the world. The other Fuzz is The Fuzz, they are from Memphis and they are lead by Harlan T. Bobo. You won’t hear that much about this band in fancy web portals though, except in this one.

Harlan T. Bobo is probably one of the strongest songwriters active today. His three solo albums recorded and published between 2003 to 2010 are masterpieces of rock writing with topics ranging from rejection, to love and settling down. In 2010 Harlan on his record Sucker, Harlan proclaimed Live is sweet and we left him happy in a family setting. But this year he’s back hilariously drunk and boyishly angry and he needed another alter ego and a band to pull it off.

In the press material and in on the record cover, we learn that The Fuzz is a brainchild of Harlan’s brother Hector Bobo, but songwriting credits and vocal delivery is unmistakably Harlan. What we find on this record is a great example of Memphis rock’n’roll in its most uncurbed state. It’s loud and distorted and fun. It’s music of a drunken circus band staggering down a road, which how once someone described Jim Dickinson’s music. With masks and confused identities.

Besides Harlan T. Bobo, the record brings several other well known Memphis musicians, Steve Selvidge on bass and Doug Easley behind the studio knobs.

The record is sandwiched in between Air which irresistibly reminds me on Replacements’ Takin’ A Ride and When I Die which borrows a chant from Norwegian Wood. You will also hear a great tribute to Marc Bolan in Teen Rex. The musical ferocity is what will occupy your senses first, because it’s delivered overwhelmingly loud, but after you hear the record a couple of times, wise words of Harlan T. Bobo will make you rediscover this record again.

Few technical notes on the release. The record came out in Spain for Munster Records, so it is only available as an import in USA. The label on the cover says the the record is Made in Germany, but markings on the vinyl are more similar to the vinyls mastered and pressed in Russia. It’s a quality pressing considering that the record is so loud. I have a feeling that the vinyl is mastered from a digital mix, and it would probably sound better if it was mastered from an analog mix, if there is one around.

The Trashed Romeos – Where Dreamers Never Go (Trashy Creatures/Burger)

The Trashed Romeos - Where Dreamers Never GoSan Francisco is maybe the hottest rock’n’roll town at the moment. But, in the world of The Little Lighthouse, the rock’n’roll capital is still in Memphis, TN. On our year end list, six albums are from Memphis and only two are from San Francisco. But only one of those records reflects the spirit of rock’n’roll in its most traditional, old fashioned way and it’s from Memphis and it’s all about Memphis. It’s the Trashed Romeos record Where Dreamers Never Go.

Trashed Romeos is put together by Greg Roberson who has been a fixture in the Memphis underground through his involvement with Reigning Sound and Tiger High. Rick Steff from Lucero and Memphis musical guru Adam Hill also joined in to help. As the tagline says, this record is a love letter to Memphis and in particular, the bands that gathered around the legendary Jim Dickinson. The concept was clear, Trashed Romeos took their favorite obscure Memphis rock’n’roll and garage singles and covered each of them. Jim Dickinson appears as a songwriter in several songs and on two clear highlights on the record. His own obscure song The Grass is Never Greener, which is almost impossible to find in the original and he also closes the record with a touching title song, posthumously becoming one of the Trahsed Romeos.

Horn section is added to several songs, which contributes to the sheer ferocity of the resulted sonic delivery. Trashed Romeos gave us a gift of past and they extended the life of these obscure underground singles now delivered in a fresh, crisp new package. This is a must-have for all rock’n’roll devotees and scholars.

Flashlte #243

Greg RobersonThe most exciting thing in this show is the new band for Greg Roberson who was in Reigning Sound. His new band is called Trashed Romeos and they made a tribute to the Memphis underground scene in the 60s and the one and only Jim Dickinson. The record is called Where Dreamers Never Go. Lucero, also from Memphis, have a new ep and it’s called Texas and Tennessee. Regarding TX, Israel Nash Gripka moved over there and has a new album too. Elsewhere, we have Danny And The Champions of the World from London and King Gizzard and the Lizard Wizard from Australia with their brand new albums.

The Rascals – See;
Oblivians – Em (Live);
Reigning Sound – Uptight Tonight;
Flash And The Memphis Casuals – Uptight Tonight;
The Trashed Romeos – Uptight Tonight;
King Gizzard and the Lizard Wizard – Float Along Fill Your Lungs;
King Khan And The Shrines – Better Luck Next Time;
Lucero – Other Side of Lonesome;
Israel Nash Gripka – Woman At The Well;
Israel Nash Gripka – Red Dress;
Danny And the Champions of the World – Every Beat of My Heart;
Danny And The Champions of the World – Let’s Grab This with Both Hands;
Billy Bragg – Sexuality (Live in Kent);
Motel Mirrors – Dearest;
Missing Monuments – Heart And Soul;
The Replacements – Hootenany (Live).

Flashlite #240

HickoidsSome sweet new americana today, or maybe it’s better to call it roots rock, since americana is really a worn out term these days. Neko Case has a new record, as well as her bandmate from the Blacky Ranchette project, Richard Buckner. Mark Lanegan is back as well with a new record consisting entirely of covers aptly called Imitations. Let’s not forget the cow punk legends Hickoids from Austin who recently gave us two new records, one a cover record called Kicking It With The Twits and also Hairy Charin’ Ape Suit that contains new songs. Finally Dickinson brothers have a new record with the North Mississippi Allstars, called World Boogi Is Coming, which were one of the last words of their father Jim before he died. The record contains a new version of Brownsville with Sid Selvidge who recently passed away and who many years ago sang this tune also with Jim in Mud Boy and The Neutrons.

Bee Gees – In My Own Time;
Hickoids – Say So Long;
Hickoids – Have You Seen Your Mother Baby Standing In The Shadow;
The Rolling Stones – Have You Seen Your Mother Baby Standing In The Shadow ;
Model Prisoners – Bad Attitude;
Sonny Vincent – Bad Attitude (Live in CLE);
The Wanton Bishops – Bad Liver and a Broken Heart;
North Mississippi Allstars – Goin’ to Brownsville;
Mud Boy And The Neutrons – Brownsville;
The Beatles – The Ballad of John and Yoko;
Games – (Baby) Put Down That Gun;
Neko Case – Man;
Richard Buckner – Foundation;
Richard Buckner – Hoping Wishers Never Lose;
The Connection – Nothing About Me;
King Khan and The Shrines – Luckiest Man;
Mark Lanegan – Deepest Shade.

Flashlite #237

Sid SelvidgeToday’s show is dedicated to Sid Selvidge. He was a part of the Mud Boy and The Neutrons, a group of highly influential Memphis musicians. Lee Baker on guitar and Jim Dickinson on piano both passed away relatively recently, and Sid, who was the lead singer, just died in May this year. He was an incredible talent and a great singer who did not put out a lot of records, but nevertheless, influenced many. We also have Bassholes with their new record called Boogieman Stew and King Khan also with his new record called Idle No More. We also introduce a new super-group, consisting of Eddie Munoz from Plimsouls, Clem Burke from Blondie and Keith Streng from Fleshtones. It’s called The Split Squad. Our Australian favorites, King Gizzard and the Lizard Wizzard are back with a new Internet single, a cover of T. Rex song Lean Woman Blues.

Mud Boy And The Neutrons – Angel Band;
Mud Boy And The Neutrons – Bo Diddley;
Sid Selvidge – That’s How I Got to Memphis;
Sid Selvidge – Miss Eleana;
Sid Selvidge – By Your Side;
Mud Boy And The Neutrons – I’ve Goa A Secret;
Marcia Ball – Live in CLE;
The Groundhogs – Express Man;
Bassholes – Express Man
King Gizzard and the Lizard Wizard – Lean Woman Blues;
T. Rex – Lean Woman Blues;
King Khan – Come Levitate With Me;
King Khan – So Wild;
The Split Squad – Touch and Go;
The Split Squad – Teenarama.

Michael Tarbox – Works and Days

Michael Tarbox - Works and DaysMichael Tarbox used to lead a great band called Tarbox Ramblers. Hailing from the Boston area, Tarbox Ramblers were the leaders of the new blues revival for the past 15 years with a blend of academic and heartfelt approach that won our hearts. The first album for Rounder Records in 2000 was a furious collection of authentic and raw blues which relied on the primitive traditions on North Mississippi blues and Appalachian folk. The second album also for Rounder A Fix Back East was a step towards rock roots, split produced by one and only Jim Dickinson and Paul Q. Kolderie who we know best from his work with Morphine. Then, a long decade with sporadic limited edition discography followed.

Through all that time, Michael Tarbox all but stood idle. He toured with a revolving line up the country multiple times, even entered the studio a few times. The songs were ready, but the band had a chronic problem with drummers. Without the record label, struggling to keep the band together, and perhaps some other reasons, Michael decided to crowdfund his next record last year, without much help from the outside. The new album, Works and Days is the outcome.

Without pretensions, the record is simply imagined as a collection of songs, without a particular theme that connects them. This is understandable, the record has been conceived over a large period of time, but the variety actually contributes to the overall quality of this new record. In the long period since 2004, I can only imagine that there was a lot of songs to choose from, but Michael and his producer friend Chris Rival have good ears and experience to identify those songs that worked particularly well in the studio at the time of recording.

In essence, the record is an emotional aggregate of many changes that Michael went through. The friendships that were evolving, struggles that they were going through and the arrival of his daughter. But the good news is that the relief is in the art. This truly comes through in this record.

Sound-wise, the new record dwells even more into rock territory. While the first record was almost entirely filled with traditionals, the new record, much like the second one is filled with original songs. From wild rocking Hey Mister Starlight over Lou Reed-like The Night Train To Chelsea to soft and almost spoken word title song The Tower of Works and Days, there is a little bit of every rock’n’roll taste on this record.The final result is intimate and exciting, and for me at least, long awaited record that will stick around for quite some time.

First published on rockxs.com.