Once upon a time in Austin TX there was an extraordinary band called Glass Eye. Kathy and Brian were in it. Glass Eye had a timeless sound that was difficult to place. With full drum sound, heavy bass and Katy’s spacey vocals, they were completely different than any other 80s underground act. You could say they were ahead of their time. Kathy and Brian reunite for the new album in 2005 for the first time since the Glass Eye broke up with original songs, although Kathy and Brian published two cds of Daniel Johnston songs in the nineties. Another Day In The Sun is an incredibly strong LP. Had I heard it in 2005 when it came out originally, it would’ve been my favorite that year. Since I missed it then, it was by far my favorite spin this year.
Apparently, I’ve been out of touch for awhile – Glass Eye reunited in 2006 and put out an album that year which I still need to hear…
So, I went record shoping to the 
As the google search indicates, Australian four Luke, David, Jess and Alex are among several bands that named their band Mona Lisa Overdrive after William Gibson’s novel. In todays alienating world, many readers seem to find a shelter in cyber-reality and super-powers of Matrix that in Gibson’s novels has god-like powers. So you’d expect some futuro-escapist crap from these guys… Contrary, Mona Lisa Overdrive echoes White Light White Heat era Velvet Underground and lists pretty much an alphabet of rock’n’roll on their 
Wanda Jackson is one of the legends of rock’n’roll. Possibly the very first woman rocking out in the 50’s when the whole thing was a “man’s game”. With her raspy southern accent and attractive looks she definitely left a mark. Still, after all these years she is recording and touring. She recently put out an album dedicated to Elvis Presley and is on a busy schedule touring United States. She doesn’t have a steady band though. When she booked shows in Denver and Idaho, she sought for a good band to back her up. And she found
Still, band had to tune down their amps… “Lemmy [from Motorhead] was right when he said that only way to feel the noise is when it’s good and loud. We are used to playing louder and the sound guy [that was engineering the concert with Wanda] was used to Peter Breinholt. I think our amps were on half of
One of the first things you probably noticed when you opened up our webpage is the new design. You might think I decided to switch for easier editing. That’s not the case, I had a very quick and painless way of editing my old site. The reason was searchability of the site on the Internet crawlers and also within the site itself. I hope it will not be too confusing. Also, I will slowly transfer some of the old articles and perhaps this will make me want to write more. We’ll see. In any case, the eight episode of the Flashlite edition is ready for your downloads. We have a brand new album The Evangelist for the former Go-Betweens member Robert Forster. In some ways it’s a return to the quirkiness of his nineties solo efforts. Another quirky artist, Jonathan Richman is also back with a new record called Because Her Beauty Is Raw and Wild. Check it out, he’s again fascinated by painters. The Nits from Netherlands continue 30 years of steady record making with the new album called Doing The Dishes.
We have two bands with exciting new albums for the first time in The Little Lighthouse: Thee Oh Sees and The Intelligence. Another thing that ties the two bands together is also the song Block of Ice, which appears on both LPs. We also have Slavic Soul Party for the first time in our show with a cover of Toussaint’s Occapella fusing the Gypsy brass sound with New Orleans, which is something I always wanted to hear. Also, while we’re waiting for the new Ian McLagan’s album, we check out three different versions of the Faces standard Glad and Sorry.
This time we bring you Dirtbombs with the new album We Have You Surrounded. Mark Lanegan takes the front page. We feature him in two fresh incarnations, as a member of band/project entitled Soulsavers and in duet with Isobel Campbell.